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In Megan Frampton’s captivating new Dukes Behaving Badly novel, we learn the answer to the question:
Why do dukes fall in love?
Michael, the Duke of Hadlow, has the liberty of enjoying an indiscretion . . . or several. But when it comes time for him to take a proper bride, he ultimately realizes he wants only one woman: Edwina Cheltam. He’d hired her as his secretary, only to quickly discover she was sensuous and intelligent.
They embark on a passionate affair, and when she breaks it off, he accepts her decision as the logical one . . . but only at first. Then he decides to pursue her.
Michael is brilliant, single-minded, and utterly indifferent to being the talk of the ton. It’s even said his only true friend is his dog. Edwina had begged him to marry someone appropriate–—someone aristocratic . . . someone high-born . . . someone else. But the only thing more persuasive than a duke intent on seduction is one who has fallen irrevocably in love.
Megan Frampton writes historical romance under her own name and romantic women’s fiction as Megan Caldwell. She likes the color black, gin, dark-haired British men, and huge earrings, not in that order. She lives in Brooklyn, New York, with her husband and son. You can visit her website at http://www.meganframpton.com. She tweets as @meganf, and is at facebook.com/meganframptonbooks.
HERE IS A NOTE FROM THE AUTHOR —
It’s hard out here for a pimp duke.
Writing duke heroes over the course of four books, as I have in the Dukes Behaving Badly series, is hard. Not because the heroes aren’t all distinctive in their own way; they are, from Matthew’s confused bemusement about inheriting the title, to Nicholas’s arrogance he should always get his own way, to Lash’s refusal to step across any line, to Why Do Dukes Fall in Love?’s hero Michael, perhaps the most dukely of all my dukes.
It’s hard writing dukes because dukes are like CEOs. It’d be like constantly writing billionaires who remain in charge and in command over companies that support thousands of people. That takes a certain amount of sameness if you are always writing such a powerful person. In my duke view, there’s no possibility of a duke dashing off to become a spy; a duke has too many responsibilities to be that feckless. Dukes are second only to the royal family, only dukes, unlike princes, aren’t waiting around for someone to die so they can assume full command of their position. Dukes are at the pinnacle of their own possibility, and with that possibility comes an enormous amount of responsibility.
At one point during Why Do Dukes Fall in Love?, the heroine Edwina is pondering the vast mystery that is Michael, the ducal hero.
She didn’t think many men would have all that power and still be committed to doing something more with it. Most would be content to settle, to do what they had to, or what they thought they had to, but nothing more.
But not him. It was as though there was a force inside him, propelling him forward, into action beyond what most men would do.
What I like about Michael is that he understands what a duke should do, and he knows he is smart enough to do more than that. He feels compelled to do more because he thinks it is a waste of humanity to just be and accept the position that was given to him.
I always want my dukes to bring more than just their utter dukeliness to the table, and I love writing such powerful and ultimately responsible heroes.
Three print copies of ONE-EYED DUKES ARE WILD
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